台北优秀年轻警员（黎明饰）在巡逻的时候，驱散一群喝酒喧哗的年轻男女并注意到其中一个女孩（房思瑜饰）。这个女孩高中毕业就被迫独自来到台北赚钱，多次因为和一群吸毒的朋友在夜店狂欢而被带到警局，一次录完口供后，警员为饥饿的女孩买来一个便当，身在异乡的女孩感受到了莫大的温暖，从此女孩默默关注着警员的一举一动，并下定决心过新的生活……

台北优秀年轻警员（黎明饰）在巡逻的时候，驱散一群喝酒喧哗的年轻男女并注意到其中一个女孩（房思瑜饰）。这个女孩高中毕业就被迫独自来到台北赚钱，多次因为和一群吸毒的朋友在夜店狂欢而被带到警局，一次录完口供后，警员为饥饿的女孩买来一个便当，身在异乡的女孩感受到了莫大的温暖，从此女孩默默关注着警员的一举一动，并下定决心过新的生活……

李元佳是华人世界首位观念艺术家。二战后他远赴西方，追求创作，行踪成谜，开启处处是家的艺术人生，并于上世纪七十年代在英国乡村建立L.Y.C美术馆，进行跨越种族、国界与阶层的艺术实践。影片以导演与李元佳跨越时空的对话关系展开，从李元佳散落欧洲各处的日记、录像、作品、友谊中浮现他为自由的奋力一搏，也展现了他将自身战后的离散经验以及注定漂流的命运消解后，以艺术之名建立的一个新世界。导演追寻他的精神遗产，同时也见证了一个时代的消逝。

本作持续记录性少数群体儿童权益活动家田中一歩言谈与神情，自幼为性别认同所困的田中，长期在学校及民间团体开展思考性别多样性的儿童讲座「传递『活出自我的法则』」。该讲座面向4岁以上群体，借助绘本与插画进行，7年间实施超千场，影响范围持续扩大。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。